JOURNAL 8/24/11: Two Poems
¶ JOHN 3:8
Earlier this week I’m having coffee with an elderly friend (not that I’m exactly a spring chicken myself). My friend has two doctorates in subjects so complex I can hardly imagine any details of what goes into either of them. One of them is analytical theology, which I never heard of before I met my friend.
In fact, I have never heard of it since we first met many years ago either. Meeting someone with a doctorate in analytical theology isn’t exactly like meeting someone who says they have a driver’s license.
So this is a highly educated and most perceptive person.
That’s why what he says at one point during our conversation surprises me. He gets noticeably weepy – he tears up enough to attract attention from others in the coffee shop – and says: “Do you know what the proof of the existence of God is, for me? The thing that proves to me that God exists is the existence of Israel after all these centuries.”
That’s not where I expect him to go with his question, especially with all of that analytical theology hovering over us like a cloud of humming birds.
And it’s not what I spend much time thinking about either – maybe I should, I don’t know, but I don’t – so I’m stymied.
Fortunately he changes the subject immediately – ideas rip around inside my friend’s mind like Indy 500 cars doing qualifying heats (I know nothing about car racing, so that metaphor begins and ends right there) – so I don’t even have time to ponder the observation.
But I do ponder it later, and it dawns on me this may be one of those unpredictable and sovereign ways the Holy Spirit works. So I put it in the form of a poem:
JOHN 3:8
old friend’s eyes spurt
sudden tears
at the thought of some
Bible truth or other that
veritably may be true and
very well may not…
but there just is no
(is there)
accounting for the Light
and what it slides
behind or
beneath
to italicize
to illumine
for that Light child or
this
who needs it so
¶ PRICES FOR ONE ITEM AT WALMART HAVE SKYROCKETED
Remember – after reading the previous poem, and after the next one as well – I’m not claiming any inherent poetic value in these pieces at all. They are simply a way for me to focus an experience … verbalize what, for me, is its real-life (“inherent”) rhythm … and allow, insofar as possible, the “spiritual dimension” of the experience at least to wave a little flag, if not exactly come right out and announce itself.
This one may speak for itself, I’m not terribly proud to say:
PRICES FOR ONE ITEM
AT WALMART HAVE
SKYROCKETED
if the smell of four-day
desiccated lobster
turns into something you can see
and if its deathly taste
gets all dressed up
and goes shopping:
it will be this old woman
in Aisle 7 at Walmart:
all four sprigged feet of her—
snappy crab legs for arms
knobby twigs for legs
all turned smeary salmon color
from cheap suntan glop in a tube,
a color that matches her rust-dyed
hair chopped all around
like a pageboy caught in a riot
and the price of seeing Jesus
in her is so high
the household budget has to go
into the can
and a new self
teenier
than her macaroni elbow bends,
tinier than her coccyx (which
no one wants to even think about),
a self small like a pea
that until Aisle 7 happened
was as swollen as a hippo,
has to be found, and that
zippy
fast
because this is what it’s
about, this
crucifixion of –
this denial of –
self, and no
price is too high
for a trendy damned sinner
to buy out
of the trendy damned world
and buy into
the One Who
(the prophet says)
isn’t exactly a hottie,
has no good looks,
no upscale trendy clothes that’ll be
out of style before Aisle 7 ends,
so that anyone would want
to look twice,
most
not even once
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